Related Paintings of unknow artist :. | the labours of the months | The Death of Czarniecki. | Regulus Returning to Carthage | Portrait of Count Charles A. Chasset | Dream of Arcadia |
Related Artists:
Baron Francois Gerard
1770-1837 French Baron Francois Gerard Galleries French portrait and historical painter, b. Rome. In Paris, after brief study under Pajou and others, he became a favorite pupil of J. L. David, who influenced such works as Psyche Receiving the Kiss of Cupid and Daphnis and Chloe, both in the Louvre. As a leading portraitist, Gerard was patronized by the court during the Empire and the Bourbon restoration. His portrait of Mme Recamier, of this period, is in the Louvre. Louis XVIII appointed him court painter in 1814. Many examples of his historical paintings are in the Versailles Museum. His portrait of the Countess Regnault de Saint-Jean-d Angely (1798; Louvre) exemplifies his style of studied elegance and meticulous finish.
John Robert Cozens
British 1752-1797 ). Painter, draughtsman and printmaker, son of (1) Alexander Cozens. He was taught by his father, and an album by John Robert (Aberystwyth, N. Lib. Wales) indicates that he also learnt to sketch landscape directly from nature. The album contains drawings that record sketching tours to Nacton, near Ipswich, Suffolk (Aug 1768); day trips to the outskirts of London: Greenwich and Blackheath (1768, 1771), Epsom (1768) and Hampstead (1770-71); and a trip to Matlock, Derbys (June 1772). The earliest of these sketches are careful pencil drawings, some later reworked in pen, ink and wash, and there is at least one attempt at added colour. Later drawings are freer, either noting an idea for a composition or recording light and shade with rapid washes of ink over pencil. His father worked mainly in monochrome brown or grey washes, and John Robert earliest exhibits (he exhibited at the Society of Artists every year from 1767 to 1771) were also in this medium.
Edouard Debat Ponsan
French Academic Painter, 1847-1913 1847-1913.French painter. He trained in Toulouse and later at the Ecole des Beaux-Arts in Paris under Alexandre Cabanel. In 1873 he won second place in the Prix de Rome and in 1874 the Prix Troyon of the Institut. From the Institut he received a bursary that enabled him to visit Italy. In 1870 he made his debut at the Salon under the name Ponsan-Debat and afterwards exhibited there such genre and history paintings as Jephthah's Daughter (1876; Carcassonne, Mus. B.-A.). He also executed religious works, some of which were for churches and cathedrals: he painted St Paul before the Areopagus (1877) for the church at Courbevoie and the Pity of St Louis for the Dead (1879) for the cathedral at La Rochelle. From 1880 Debat-Ponsan was the name under which he exhibited. The Massage (1883; Toulouse, Mus. Augustins) shows a white female nude massaged by a negress, and the subject attracted comment from contemporary critics. He also painted a number of landscapes, including Corner of the Vineyard (1888; Nantes, Mus. B.-A.). These were painted in a style similar to that of Jules Bastien-Lepage and, when they included figures, were often sentimental. His reputation depended, however, on his portraits, which are distinguished by their vigorous colour and precision, as seen in the portrait of Pouyer-Quertier (c. 1885; Rouen, Mus. B.-A.). Most notable was his portrait of General Boulanger (1887; untraced), which was shown at the Salon of 1887 and was accepted in 1889 for the Exposition Universelle in Paris. Amid scandal, Debat-Ponsan withdrew it soon after the opening because he thought that the Exposition was badly organized and his painting was not shown to advantage. He refused the bronze medal awarded it by the jury. In later years, while producing such paintings as Christ on the Mountain (1889; Toulouse, Mus. Augustins), he increasingly responded to contemporary events in his work.